By Haitianbeatz The Haitian music industry is buzzing. Fans and critics are debating  grammar in lyrics , sparked by Rutshelle Guillaume’s latest single, “Determinée.” Some listeners hear mistakes. Others hear style and intent. Who is right? Here is the simple truth. In songs, grammar bends. Artists use  poetic license in music  to fit melody, show character, create a mood, or reflect culture. What is poetic license in music ? “ the freedom a songwriter or composer takes with

By Haitianbeatz A bright groove, a steady pulse, and a voice that stands tall. That is the first hit of Rutshelle Guillaume’s new single,  “Determinée.” Here is the simple truth. “Determinée” shows a confident artist pairing konpa roots with Afro-pop shine, and it lands with heart. “Determinée” sits in a sweet mid-tempo pocket. It blends konpa groove with Afro-pop shimmer and pop polish. The beat is measured, not rushed, which lets the melodies breathe and the message sit fro

By Moses St Louis Thirty years of movement, music, and community. That is the spirit behind the world premiere of  : A Haitian Folktale Choreodrama , presented by Nadia Dieudonné & Feet of Rhythm Haitian Dance Company on Saturday, October 18, 2025 at 5:00 PM at Anba Tonel, 1407 Flatbush, Brooklyn, in the heart of Little Haiti. This anniversary is more than a show. It is a special fundraising party with delicious Haitian food, great music, a live DJ, and a powerful dance perfo

By Haitianbeatz What happens when live music blends roots from Haiti, Miami, and beyond? Energy, color, and a groove you feel in your...

By Haitianbeatz What happens when two bloggers vow to tip off ICE about Haitian shows under a Trump-era playbook? That is not tough talk,...

By Haitianbeatz A Modest Turnout for a Big City Moment New York loves a late-night album drop, and yesterday had that promise. Gabel brought their release to LK Lounge, aiming for a memorable city moment. However, it was a lukewarm night, with a modest crowd for a launch. I arrived a little after 1 AM, and someone mentioned that the band had just started. Gabel wasted no time, diving into new cuts like Beni , Selibatè , Ayisyen pou’n ta ye , Moun Dous , and Kle Paradi . The s